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Archived from the original on The Grimaldis of Monaco: Retrieved 10 November Retrieved December 1, Retrieved from " https: Views Read Edit View history.

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Casino de Monte-Carlo in the Principality of Monaco. Monte Carlo , Monaco. Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place.

The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series. The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

All of which brings us to Daniel Craig as Bond. Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films.

While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.

Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.

Daniel Craig is the best Bond since Connery and for my money the best actor to play the character. If you only watch one Bond film, make it this one.

Daniel Craig revitalizes the Bond franchise the same way Bale saved Batman. This was a throwback to the good ol days of Connery Bond.

Almost all the the good stuff i heard about Casino is true. Now - I hate when people say this but here goes - this movie was just too darn long.

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Part of the Collection: Post Share on Facebook. View All Videos 1. Not everything goes as planned and Bond decides to investigate, independently of the MI6 agency, in order to track down the rest of the terrorist cell.

Following a lead to the Bahamas, he encounters Dimitrios and his girlfriend, Solange. Secret Service intelligence reveals that Le Chiffre is planning to raise money in a high-stakes poker game in Montenegro at Le Casino Royale.

MI6 assigns to play against him, knowing that if Le Chiffre loses, it will destroy his organization. The marathon game proceeds with dirty tricks and violence, raising the stakes beyond blood money and reaching a terrifying climax.

PG for intense sequences of violent action, a scene of torture, sexual content and nudity. Daniel Craig as James Bond.

Eva Green as Vesper Lynd. Mads Mikkelsen as Le Chiffre. Who is the most beautiful Italian actress of all time?

Voice from the Stone Malvina. After the War pre-production Maria. The Missing Paper Roberta Bellodi. Show all 12 episodes.

Show all 8 episodes. Show all 6 episodes. Show all 9 episodes. After the War very special thanks pre-production. Edit Personal Details Publicity Listings: Edit Did You Know?

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By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and Fandango.

Already have an account? Please enter your email address and we will email you a new password. Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: I hope Craig finds more moments like that in Bond.

And I hope he gets to wear that tuxedo again and again and again. I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.

The film has breathless stunts and encounters aplenty. In Daniel Craig, the producers found a suitably tarnished and brutal icon for this new iteration of Bond.

And the new Bond is blond. Daniel Craig has comfort ably slipped into the tuxedo, size , and left audiences shaken and stirred.

Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world. Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

It may even be the best film in the entire series. Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place. The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.

The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

All of which brings us to Daniel Craig as Bond. Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films.

While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten.

With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.

Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.

Daniel Craig is the best Bond since Connery and for my money the best actor to play the character. If you only watch one Bond film, make it this one.

Daniel Craig revitalizes the Bond franchise the same way Bale saved Batman. The single sold , copies in in the UK, [1] peaked at number 7 in the UK singles chart, [1] and has sold , digital copies and 3.

The track was leaked onto the Internet on September 20, , and released as a single on November 13, , charting in many countries.

The composers started their writing separately, Cornell in his apartment in Paris , and Arnold in his house in London. The recordings were finished by the time Casino Royale finished its principal photography on July 21, , and Arnold played it at the wrap party.

Afterwards he mixed in the orchestra parts. I wanted people to hear my voice," Cornell said. I [also] wanted to write a song in its own universe.

Before producers Michael G. Wilson and Barbara Broccoli announced on July 26, , that Cornell was performing the theme for Casino Royale , [16] various names were reported in the media, some reports going so far as to have the performers apparently claim they were working on the song.

The song was leaked on the internet on September 20, It was released as a stand-alone single on December 14, Cornell declared that it happened because he wanted the song to be "his", [14] and since he wrote "You Know My Name" in midst of recording the solo album Carry On , he felt that the song belonged to the album.

The song peaked at number 79 on the Billboard Hot and number 64 on the Billboard Pop chart. From Wikipedia, the free encyclopedia.

For other uses, see You Know My Name disambiguation. Alternative rock hard rock post-grunge.

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